I’ll get the shilling out of the way first; you see, I’ve set up a Zazzle store (with my feep hat, natch), and I have placed within a couple of my anti-valentine’s day cards. This means you can, like, give me money for them if you want. I’m only a few years late in getting around to doing this, so hopefully someone out there still wants to buy these things from me. Anyway, click on this button to go straight to the cards:
Next up, the reason you’re probably actually here, which is a peek at a sample page from my Transformers story for Robert Kirby’s QU33R anthology. The actual title of the story is just “The Transformers,” because it works on like three different levels, but you can call it “TransTransformers” to differentiate it from the more famous users of that word. And so:
Next week I’ll be bringing you some more new art, to wit: the character designs I created so we can see what Prowl, Jazz, and Bluestreak look like as girls. Until then!
I’m working away on pencils for my story for Robert Kirby’s QU33R anthology, due out this fall from Northwest Press. As you can see, I have contrived to tell a story about playing with Transformers as a kid, which means I get to draw quite a few of the ol’ robots for this comic. It’s actually a little difficult to find the photo references I need, believe it or not. I’ve had to resort to watching the cartoon (which was really just not very good at all, thought I still kind of love it in that important-part-of-my-childhood way) and grabbing the occasional frame. I want to use the cartoon character designs specifically (as opposed to the comic book Transformers, or the box art for the toys) because that’s what most informed my impression of what the characters were supposed to look like. Also, the art style fits well with my own cartooning style.
I do all of the penciling by hand, even though I’m pretty sure that proves I’m insane. So, for example, I need to repeat that drawing of Prowl on the left, so I copy him onto vellum, position the copy where I want it, then transfer it using erasable, non-photo blue carbon paper. Why do I do this instead of just making a duplicate layer in Photoshop like a normal person? Because I want each page to be a finished work of art in its own right, and that means keeping digital manipulations to a minimum.
Tune in next week for a glimpse at a (readable) sample page, and after that I have some character design work to show off. In other words, I’m talkin’ about regular posting for awhile. Cue dramatic music!